essays on...

The "Unhinged Bisexual Woman" Novel: Where everything is a joke, love is for suckers, and gay liberation is a bore
"Big Swiss and Milk Fed feature highly unstable protagonists and credulity-straining plots that have been described by reviewers as “madcap,” “strange,” “off kilter,” “eccentric,” “deranged,” “graphic,” “obscene,” “a riot,” and “a romp.” In the logic of these stories, sexual desire for a woman is not a queer expression of romantic or erotic or, god forbid, political meaning, but rather evidence of the female protagonist’s emotional incoherence. Queer sex here is just another zany life choice, like living in a house full of bees or being obsessed with frozen yogurt. It is no wonder then that both books have been highly successful with devotees of the hashtag “unhinged women,” which has over 35 million views and counting on TikTok and includes titles such as Ottessa Moshfegh’s My Year of Rest and Relaxation and Eileen, Mona Awad’s Bunny, Naoise Dolan’s Exciting Times, and Lisa Taddeo’s Animal, among many others.

This genre, which I’ll call Unhinged Bisexual Woman Fiction, is characterized by a kind of mean, dry, deadpan first-person voice that communicates to the reader that the protagonist views herself as exempt from the embarrassing task of being a human being. Her voice, which is the opposite of caring or earnest, implies that everything is material for a joke, love is for suckers, and politics, including gay liberation, is a bore."
The Case Against the Trauma Plot
"The experience of uncertainty and partial knowledge is one of the great, unheralded pleasures of fiction. Why does Hedda Gabler haunt us? Who does Jean Brodie think she is? What does Sula Peace want? Sula’s early life is thick with incidents, any one of which could plausibly provide the wound around which personality, as understood by the trauma plot, might scab—witnessing a small boy drown, witnessing her mother burn to death. But she is not their sum; from her first proper appearance in the novel, with an act of sudden, spectacular violence of her own, she has an open destiny. Where the trauma plot presents us with locks and keys, Morrison does not even bother to tell us what happens to Sula in the decade she disappears from town, and from the novel. Sula doesn’t exist for our approval or judgment, and, in her self-possession, is instead rewarded with something better: our rapt fascination with her style, her silences and refusals."

an investigation into the trauma plot + why it doesn't work.
Jeanette Winterson Has No Idea What Happens Next
KW: "I’ve read several interviews in which you describe yourself as “happy.” You’ve cast it in the past as something integral or defining about your temperament. It surprised me because I don’t think of “happy” as a stable characteristic."

JW: "I’m an enthusiast. I’m not at all a cool girl. There are very many earnest young women at the moment, because young women who are creative feel that they need to be earnest. And all I would like to say is that you don’t. You’re allowed to make jokes. Men don’t worry about being funny or serious. They think they’re always serious even when they’re being funny and at the same time they always think they’re being funny when they’re not. But, as usual, women separate themselves off from many possibilities in order to be taken seriously."
What's the one thing we all hate but can't stop doing?
"Forgive me father for I have scrolled."
Phones will never be fun again
"Shopping for such a device today is hard. Walking into various stores in Brooklyn, I saw slabs, slabs, and more slabs. The only non-smartphones available at Target or Best Buy were super-cheap phones made explicitly for seniors (there were photos of old people on all of the boxes) or even cheaper burner phones made somewhat less explicitly for conducting criminal activity. The AT&T store I went to had just one black flip phone: It cost $62.99 and was manufactured by Tinno, which has been criticized by security researchers for putting Chinese spyware in its devices. You simply cannot walk into a store and have a grand old time picking out a new dumb phone anymore."
How to Live Without Your Phone
"What everyone really wanted to know about giving up my phone was whether it had miraculously increased my attention span, and whether I was getting any more reading done. To be honest, I’m not sure. In the six weeks of Lent I read ten books, which is decent going but not really exceptional, even if some of them were quite long.2 But reading did feel easier. Usually, whenever I sit down with anything more demanding than your average Sunday Times bestseller, I instantly start hearing the voice of a scratchy little demon, scratching away at the inside of my skull. Look at your phone, it says. Stop reading and look at your phone. Look at your phone this instant. Something might have happened on your phone. The book will stay the same forever but there might be something new on your phone. You might have notifications. You might have some of those red circles you crave so much. You can just put the book down for a moment. One quick moment to look at your phone. Don’t you know who I am? My name is Astaroth and in the Ars Goetica or Lesser Key of Solomon I am a mighty, strong Duke of Hell commanding forty demonic legions. I can show you fulfilment beyond your knowing if you choose to follow me, but first you must LOOK AT YOUR PHONE."
Luddite Teens don't want your likes
"As they marched through the dark, the only light glowing on their faces was that of the moon."
Who's Afraid of Amber Heard?
"It’s exceptionally clear to me that ever since the advent of the mainstream MeToo movement, the public (even women, even some so-called feminists) has been foaming at the mouth for a neat, uncomplicated example of an evil woman publicly conspiring to bring a good man down. The problem, of course, is that an instance of that is hard to actually find, and so — to paraphrase Voltaire — it became necessary to invent one."
Everyone Needs to Grow Up
"We are a generation of adult babies. You can see it in the widely circulated – and largely untrue – idea that the human brain isn’t developed until the age of 25, which means that anyone younger is still essentially a child. It’s there in the notion that people with ADHD can’t text back their friends because they lack object permanence (a skill that babies develop at eight months old). It’s there in the narrative that, because gay people didn’t experience a normal childhood, they’re living out a second adolescence in their twenties and thirties. It’s there in the hegemony of superhero films and the cross-generational popularity of YA, whose fans insist that grown-up literature is only ever about depressed college professors having affairs."
The Repulsive Crust: against A24 brain
"I don’t mean that people never do things that are cruel, selfish, weak, petty, and vicious. But I do not think they ever do it in a way that’s so tediously explicable. It’s all far too neat; it all makes far too much sense, this moment on which a person’s entire being is supposed to hang. When actual people act, there’s always an element of the inexplicable at play, the sourceless molten stuff we call human freedom. An abyss in the other, the dark hole of their subjectivity. But these people are wind-up toys. Try comparing them to the entertainments of the past: Flaubert or Eliot or Shakespeare. You can work out where Emma Bovary is headed right from her beginning, but her mind still dances. Hamlet might have been the first truly psychological hero, but he’s still an excruciating mystery to us and to himself. ‘O, what a rogue and peasant slave am I!’ He would like to feel things he doesn’t feel, and to act in ways he doesn’t act. Why doesn’t he? Not clear! There’s room to wonder, which is how you know he’s alive."
dating in the digital panopticon
According to orange peel theory, which went viral at the start of this year, you can ascertain the level of your partner’s love and commitment by asking them for an orange. If they hand you an orange, okay, sure, they passed. If they plate up the orange, one grade better. If they peel it for you first, then congratulations! Flying colours, distinction, gold medal, etc etc etc. If your lover has done this well, they might as well go one step further and feed you the orange, segment by golden segment, whilst you recline in leisured state like Cleopatra in her bath of milk and honey.

If they raise an eyebrow and say: ‘My love, are you in engaging in another viral internet trend in order to prove some sort of point about the status of our romance, a habit which is tied to your competing impulses towards a) proudly and zealously exhibiting your ‘green flag’ relationship where ‘green flag’ means ‘does everything I want’ and b) asserting yourself as an activist ‘testing’ our relationship in a way which claims to be a feminist takedown of the patriarchy (which you fear you have bought into by dating a man) but is in fact the tiniest gesture of interpersonal spitefulness, because it sounds like you are. And besides, I don’t have an orange to peel for you. Wait — have you got a camera hidden in that fruit bowl?’, they have definitely, manifestly, 100% not passed."
On Self-Respect
"To do without self-respect, on the other hand, is to be an unwilling audience of one to an interminable home movie that documents one's failings, both real and imagined, with fresh footage spliced in for each screening. There’s the glass you broke in anger, there's the hurt on X's face; watch now, this next scene, the night Y came back from Houston, see how you muff this one. To live without self-respect is to lie awake some night, beyond the reach of warm milk, phenobarbital, and the sleeping hand on the coverlet, counting up the sins of commission and omission, the trusts betrayed, the promises subtly broken, the gifts irrevocably wasted through sloth or cowardice or carelessness. However long we postpone it, we eventually lie down alone in that notoriously un- comfortable bed, the one we make ourselves. Whether or not we sleep in it depends, of course, on whether or not we respect ourselves."
How to Avoid Half Heartedness
"You have so much within you. Pay attention to it. Pay attention to your feelings of discomfort and uncertainty—watch yourself as you think and feel. The thing I like about writing is that it’s quite literally thinking—a way for me access my own interiority and construct something from it. What I write is all mine, it’s a living thing, it’s an extension of me that wanders out into the world. It is desire turned inwards instead of outwards, focused instead of displaced. It’s a way to access self-knowledge and self-respect.

Treat everything that happens to you as material and write it down. Don’t let someone tell you your experience doesn’t matter—you’re the one who gets to decide if it matters. Give yourself agency."

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